If it's true that two heads are better than one, it's also true that two views of the same image are better than one, especially when it comes to photo editing In this tutorial, we'll look at how to give ourselves two different views of the same image by opening it in two separate document windows, each set to a different zoom level, making it much easier to judge the effect our edits are having on the overall image. This is really more of a Photoshop tip than an actual photo editing technique, but it's so incredibly useful and I find myself using it so often that it really deserves to be included in with our other photo editing tutorials.
Download Adobe Photoshop. Free and safe download. Download the latest version of the top software, games, programs and apps in 2021. Photoshop gives us two main ways to view our images on the screen as we're working. We can view them as tabbed documents or as floating document windows.In this tutorial, we'll learn the difference between tabbed and floating document windows in Photoshop. Photoshopping a picture isn't just about adjusting its colors and exposure, removing noise, cropping it to a custom size, and adding filters. It's much more than that. Photoshop is software that allows users to.
Many beginners, as well as amateurs, are tempted to use Photoshop CC illegally installing Photoshop torrents, as it saves their money. Although I consider that $9.99/month, that is, $120/year is just ridiculous for such a powerful program as Photoshop. The Soft Edge Brush. Soft, round brushes are perfect for creating smooth gradients, both between.
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Have you ever found yourself zoomed in close to a specific area in a photo, maybe brightening someone's eyes or whitening their teeth, or you may have been panning around an image looking for minor skin blemishes or dust marks on an antique photo, and you're having trouble judging how effective your edits really are because you're too close to the image? Wouldn't it be great if you could see the entire photo as you're working no matter how zoomed in you are? Sure, you could always zoom in to make a few edits, zoom out to the 100% view size to judge the results, zoom back in to make a few more edits, zoom out, back and forth, on and on, but who wants to do that, especially when there's a much better and easier way! Just open the same image in a second document window!
Here's a photo I currently have open in Photoshop. I'm using Photoshop CS4 here but this tip works with any version:
Let's say I wanted to work on the woman's eyes, either lightening them or changing their color. I'll need to zoom in on her eyes, so I'll grab the Zoom Tool from the Tools palette and drag a rectangular selection around her eyes. When I release my mouse button, Photoshop zooms in on the area I selected:
The problem is, I'd still like to be able to see the rest of the photo as I'm working so I can get a better sense of how the changes I'm making are impacting the overall image. As I mentioned, I could zoom in and out as I'm working, but a much better solution would be to open a second view of the image in a separate document window. To do that, simply go up to the Window menu at the top of the screen and choose Arrange. You'll see an option called New Window for, followed by the name of the image you currently have open. In my case, the name of my image is 'knitted_cap.jpg', so my option shows up as 'New Window for knitted_cap.jpg':
This opens the exact same image in a second document window. If you're working in Photoshop CS4 as I am here, the default behavior of Photoshop CS4 is to open new windows as a series of tabbed documents. Go up to the new Application Bar at the top of the screen, click on the Arrange Documents icon, then click on the 2 Up two column document layout:
In Photoshop CS3 and earlier, choosing 'Window > Arrange > New Window for (name of your image)' opens the image in a second floating document window. To place the document windows side by side each other, simply click on the tab area at the top of the document windows and drag them into position. Or, go up to the Window menu, choose Arrange, and then choose Tile Vertically:
Whichever version of Photoshop you're using, you should now see both document windows side by side showing the exact same image. The only difference is that both windows are set to a different zoom level:
Many people get tricked here into thinking that they've just opened a second copy of the image, but we actually have the exact same image appearing in both document windows. We've given ourselves two separate views of the same image, but it is the same image in both document windows. If you think of how your eyes work, each eye sees an object from a different angle but both eyes are seeing the same object. With our document windows, each one is showing us a different view of the image but it's the same image in both windows.
Since both windows are showing the same photo, anything you do in one of them will be instantly reflected in the other. As a quick example, I'll desaturate the image by going up to the Image menu, choosing Adjustments, and then choosing Desaturate:
This instantly removes all color from the image, leaving me with a black and white photo. Notice that regardless of which document window I had selected, both windows are showing the desaturated version, and that's because both are showing the exact same photo:
Just for fun, I'll grab Photoshop's History Brush from the Tools palette (I could also press the letter Y on my keyboard to select it with the shortcut):
The History Brush is like Photoshop's version of a time machine, allowing us to paint previous history states back in to the image. For example, I can restore the original color of the woman's cap by painting over it with the History Brush. I'll select the document window on the left (the zoomed in view) and begin painting over her cap with the brush. Even though I'm painting in the document window on the left, both document windows are showing the results of what I'm doing:
Hopefully you now have a sense of just how useful this dual view mode can be when editing images, and the nice thing is, it doesn't require an expensive dual monitor setup. Simply open the image in a second document window, do all of your editing work in the original window, zooming and panning as needed, and leave the second window set to either the Actual Pixels or Fit on Screen view modes, both of which can be accessed from the View menu at the top of the screen. Be sure to check out our full Zooming and Panning in Photoshop tutorial in our Photoshop Basics section for lots more information on how to navigate around images in Photoshop.
And there we have it! That's how to give yourself two separate views when editing an image in Photoshop! Check out our Photo Retouching section for more Photoshop image editing tutorials!
If you fancy yourself the next Tarantino or Spielberg, you need to hone your visual style. Most of us, however, are a little impatient and don't want to spend years learning colour grading in a colouring house. This is where a lookup table—or LUT—can help speed up your video and image editing process and help you develop your unique style to make your content stand out from the crowd.
What is a LUT? There are many articles out there that explain what a LUT is and what they can do, so I will keep the explanation brief for the sake of this article, and you can jump into Photoshop and start playing around sooner.
Simply put, a LUT is a way to transform an image or video from your camera into selected output values to create a final product that has its own visual identity.
It's important to know that LUTs won't help with exposure or white-balance issues. How do you create a dvd from imovie. To get the optimum results from LUTs, you still need to take a properly exposed image or video.
As well, to use LUTs in Photoshop, you will need Photoshop CS6 or above.
Installing LUTs in Photoshop
There are two main ways of using LUTs in Photoshop. The first method is a little simpler and should be the method of choice if you are only going to use LUTs sparingly. The second method is more suitable to someone who uses LUTs on a daily basis on multiple projects.
The simple method of using LUTs in Photoshop
To get started, you need to get your hands on some LUTs. You can download free and paid LUTs online, so browse around and see which ones you like. For the sake of this post, any 3D LUTs will work.
Once you have your LUTs downloaded, unzip them to a folder on your computer and remember where you have placed them—this will be important in the next few steps. Windows and Mac operating systems come with software to unzip the LUTs, but if you don't have them installed for some reason, do a search for a 'free zip file extractor' and download one.
Open up your desired image in Photoshop, then create a Colour Lookup in the Adjustments tab. This can be seen in the Layers window. If you don't see this tab, you will need to make sure that the Layers tab is visible. You can do this by navigating to Window > Layers and seeing if there is a check mark next to it.
With the Layers panel now visible, navigate to the bottom of the panel and select the option create a new fill or adjustment layer, then select Color Lookup—this icon is a half-filled circle.
Colour Lookup in the Adjustments tab
When you select Color Lookup, another screen will pop up with a few options. How to access phone files. You should select the option to load a 3D LUT from a file and then navigate to where you saved your LUTs earlier.
When you select the 3D LUT option, you will also notice that Photoshop comes with some standard presets you can try on your projects. Take a look at this landscape image below, and notice how adding LUTs with one click can make a huge difference in the end result:
Editing with LUTs 1
Editing with LUTs 3
I haven't made any other adjustments—I only changed the LUTs. As you can see, each iteration has a different look and feel. Using LUTs can have a huge effect on your creative process.
If you don't download any additional LUTs, even the standard ones that come with Photoshop can save you time and give you a great starting place.
A more complex method to add LUTs
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For anyone familiar with Photoshop, the above method may seem simple. The only problem is you have to load your LUTs every time, and if you use them every day, this process can become annoying and time-consuming.
The second way of adding LUTs to images in Photoshop is a little more complicated, as you have to unzip your LUTs into certain Photoshop directories on your machine. Here is a quick guide to explain that process.
To add LUTs using the second method, close Photoshop and find the LUTs you want to use. Select all of these LUTs and then copy them into the following folders:
Windows users: C:Program FilesAdobeAdobe Photoshop *version*Presets3DLUTS
Mac users: Applications/Adobe Photoshop *version*/Presets/3DLUTS
Now load up Photoshop. When you create a new Colour Lookup adjustment layer, as descrobed above, you will see all of your LUTs there.
Working with LUTs in Photoshop
By now, you can see the benefits of using LUTs in Photoshop. They can give you a preset style in seconds. With that said, they should be used as a starting point—from here you can let your creativity take over. How to send video from android phone. Combine LUTs by adding a new adjustment layer.
Combining LUTs with Adjustment Layers
You can change opacity, saturation, hues and so much more. Playing around with these values is going to give you the flexibility to create your own unique looks while saving you time in the process.
About the Author:
James Mathews writes for Bounce Color, a website that creates LUTs for photographers and videographers to help them speed up their editing process.
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